2021
4(68)
DOI: 10.37190/arc210409
Aleksandra Chlebicz*, Paweł Konczewski**
Thanatourism at Grodno Castle in Zagórze Śląskie
What is thanatotourism?
The German concentration camp in Auschwitz, mass
graves in Katyn Forest, Thailand after tsunami, war zones
(e.g., in Palestine) or ground zeroes (e.g., Ground Zero in
New York) – all of these places are tourist destinations.
While they are associated with death and suering, they also
serve to commemorate and document catastrophic events.
Travelling to such places is called thanatourism. The need
to isolate this concept as a subcategory of broadly dened
tourism arose at the end of the 20
th
century, when a growing
interest in this type of travel was rst observed, even though
the phenomenon is thought to date back to Christian pil-
grimages and gladiator games in the Roman Empire [1], [2].
But what drives people to travel to death sites? Firstly, it
is worth pointing out that not all of these sites are perceived
as connected to death by the visiting tourist, as the character
of death spaces varies
1
. It is believed that “dark” sites are
* ORCID: 0000-0001-5761-5362. Faculty of Chemistry, Wrocław
University of Science and Technology, e-mail: chlebicz.aleksandra@
gmail.com
** ORCID: 0000-0002-6326-8181. Faculty of Biology and Animal
Science, Wrocław University of Environmental and Life Sciences.
1
We currently distinguish 5 categories of thanatourism destinations
[3], [4]:
– visitation to sites of public death or sites serving as testimonies to
public death – such as gladiator games, crucixions, executions, sites of
natural disasters or terrorist attacks,
– visitation to places where mass or individual death has been re-
corded or discovered – such as former concentration camps (Auschwitz,
Gross-Rosen), sites of air accidents or incidents,
– visitation to sites and monuments commemorating the dead
– such as burial sites of famous people,
– visitation to sites not directly associated with an event, but only
displaying material evidence of death or staging the event – such as mu-
seums exhibiting murder weapons, instruments of torture, blood-stained
clothing, wax gures, or embalmed bodies,
– visitation to sites of death staging or simulation – such as combat
and battle re-enactments, religious depictions of the Passion of Christ.
non-commercial places with underdeveloped infrastruc-
ture, where tragedy has struck fairly recently. These are far
more controversial than “light” sites, which are either not
directly associated with tragic events or which merely stage
them, present material evidence, or commemorate them in
the form of monuments, crypts, and cemeteries [5].
According to Sławoj Tanaś [2], the motivations of
“thanatourists” may be divided into two groups. The rst
group, described as sacrum, consists of motivations stem-
ming from religion, empathy, identity, and remembrance.
These motivations are characteristic of an aware tourist
who wishes to pay their respects to the victims and is ori-
ented towards solemnity and contemplation. The second
group, described as profanum, consists of motivations in-
volving a thirst for knowledge, curiosity, entertainment,
and emotion. This group of motivations drives an unaware
tourist, for whom the death space is exciting, pop-cultural,
and informative. These people often take plenty of pho-
tographs with artefacts, sometimes causing damage, and
even commit theft. Scientic research also indicates that
a great role in shaping people’s motivations to make these
types of trips is played by today’s media, whose portray-
al of death (through reports, lms or games) invokes the
feeling of death’s universality, although the viewer does
not consider it as involving them directly. At the same
time, it is a sign of the times that “ugly” death stays out
of our sight – in hospitals and care homes – and our soci-
ety is oriented towards a happy, perfect life instead. This
arouses the desire to encounter death in a direct, but safe
way [2], [6].
A great role in thanatourism is also played by the sites
themselves, as they draw tourists through their advertising.
But why are these places even available to tourists? This
question is answered by Tanaś [2], who mentions three
main reasons. The sites may simply care for remembrance,
they may aim to spread information about human death
in an attempt to avoid future catastrophes and atrocities,
but they may also treat thanatourism as a way to benet